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‘The other day, my ex-wife presented me with a wallet that had been lost since 1967,” says former Led Zeppelin singer Robert Plant.“I pulled out my student bus pass, ripped into shreds almost, and found all these references to where I was when it was last seen, at the age of 19.” At 65, skin-creased, ponytailed and grey-bearded, Plant contemplates the contents in tones of wonder.

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Plant brought in his bassist, Charlie Jones, and touring drummer, Michael Lee, to back the singer and Page -- who added a British symphony orchestra and Middle Eastern musicians for their televised No Quarter concert and CD.

“Crumbled bits of newspaper, adverts for the Band Of Joy at Midnight City in Birmingham, pictures of Lead Belly and Sonny Boy Williamson in a striped suit with a velvet collar.

There was a set list from my first band, the Black Snake Moan, written on a little card – Jimmy Reed, John Lee Hooker, Sonny Boy, Chuck Berry.

Starting his solo career in 1982 with his Zeppelin-like Pictures at Eleven album, Plant would use a slew of great drummers over the next few years, including Phil Collins, Cozy Powell, Barriemore Barlow, and Richie Hayward.

Collins appeared on the 1983 follow-up, The Principle of Moments, and Plant achieved a lighter touch somewhere between Genesis and Zeppelin's quieter side with tracks like "In the Mood" and "Big Log." But the singer would feed his Elvis Presley infatuation on 1984's The Honeydrippers, Vol.