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Creative Cauldron in Falls Church, VA is dedicating their season to women and their unique stories.

The season's current nod to its dedication is The Mistress Cycle.

The Mistress Cycle is a fun and gusty choice for Creative Cauldron's season.

It sheds light on a rarely discussed issue-particularly within the medium of the musical.

The setting is appropriately intimate, and you are able to see and experience nuances that would be missed in a proscenium theatre.

Each actress is effectively emotive during both solos and ensemble numbers; their focus as a group is strong, which helps the audience stay connected to each woman's individual story.

To say that these two at the top are “close” is an understatement.

According to my read of things, giving your body to a man of power for personal gain is simply prostitution.

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Jesus didn’t die to enjoy people doing it on the fifth floor when they pretend to be sold out to him. her life now sadly about to change, most likely for the worse as word gets out from under the on-island political and social cover-ups and into the Samoan diaspora.

Lulu White, Diane de Poitiers, Anaïs Nin, Tess, and Ching are our mistresses.

(Tess and Ching are both composite characters while the other three women are taken from history.) The show touches on each woman's story while attempting to thread together a greater narrative and commentary on women and their roles in sexual relationships.

(Think Sondheim's "Assassins" but with famous mistresses.) As the show begins, the women chant "Jezebel, Siren, Vixen, Enchantress...", but each is ultimately designated a mistress-a word for which they emphatically state there is no male equivalent.

It's always special to see a show with a small cast in a small theatre.